English painter, the son of an artist, by whom he was mainly trained. As a figure-painter he shows in his work much imaginative power and a very personal style, and his pictures are for the most part illustrations of classic myths treated with attractive fantasy. An able draughtsman and a fine colourist, he must be ranked among the best artists of the British school. He was elected an associate of the Royal Academy in 1885 and academician in 1895. Four of his paintings, “Consulting the Oracle,” “St. Eulalia,” “The Lady of Shalott” and “The Magic Circle,” are in the National Gallery of British Art. He died in London on the 10th of February 1917.

1

  See “J. W. Waterhouse and his Work,” by A. L. Baldry, Studio, vol. iv.

2