Complete. From the Edinburgh Review, 1803.

WE hardly know what to say about this rambling, scrambling book; but that we are quite sure the author, when he began any sentence in it, had not the smallest suspicion of what it was about to contain. We say the author, because, in spite of the mixture of sexes in the title-page, we are strongly inclined to suspect that the male contributions exceed the female in a very great degree. The essay on “Bulls” is written much with the same mind, and in the same manner, as a schoolboy takes a walk: he moves on for ten yards on the straight road, with surprising perseverance; then sets out after a butterfly, looks for a bird’s nest, or jumps backwards and forwards over a ditch. In the same manner, this nimble and digressive gentleman is away after every object which crosses his mind. If you leave him at the end of a comma, in a steady pursuit of his subject, you are sure to find him, before the next full stop, a hundred yards to the right or left, frisking, capering, and grinning, in a high paroxysm of merriment and agility. Mr. Edgeworth seems to possess the sentiments of an accomplished gentleman, the information of a scholar, and the vivacity of a first-rate harlequin. He is fuddled with animal spirits, giddy with constitutional joy; in such a state he must have written on, or burst. A discharge of ink was an evacuation absolutely necessary, to avoid fatal and plethoric congestion.

1

  The object of the book is to prove that the practice of making bulls is not more imputable to the Irish than to any other people; and the manner in which he sets about it is to quote examples of bulls produced in other countries. But this is surely a singular way of reasoning the question; for there are goitres out of Valais, extortioners who do not worship Moses, oatcakes out of the Tweed, and balm beyond the precincts of Gilead. If nothing can be said to exist pre-eminently and emphatically in one country, which exists at all in another, then Frenchmen are not gay, nor Spaniards grave, nor are gentlemen of the Milesian race remarkable for their disinterested contempt of wealth in their connubial relations. It is probable there is some foundation for a character so generally diffused; though it is also probable that such foundation is extremely enlarged by fame. If there were no foundation for the common opinion, we must suppose national characters formed by chance; and that the Irish might, by accident, have been laughed at as bashful and sheepish; which is impossible. The author puzzles himself a good deal about the nature of bulls, without coming to any decision about the matter. Though the question is not a very easy one, we shall venture to say that a bull is an apparent congruity, and real incongruity, of ideas, suddenly discovered. And if this account of bulls be just, they are (as might have been supposed) the very reverse of wit; for as wit discovers real relations, that are not apparent, bulls admit apparent relations that are not real. The pleasure arising from wit proceeds from our surprise at suddenly discovering two things to be similar, in which we suspected no similarity. The pleasure arising from bulls proceeds from our discovering two things to be dissimilar, in which a resemblance might have been suspected. The same doctrine will apply to wit, and to bulls in action. Practical wit discovers connection or relation between actions, in which duller understandings discover none; and practical bulls originate from an apparent relation between two actions, which more correct understandings immediately perceive to have no relation at all.

2

  Louis XIV. being extremely harassed by the repeated solicitations of a veteran officer for promotion, said one day, loud enough to be heard, “That gentleman is the most troublesome officer I have in my service.” “That is precisely the charge,” said the old man, “which your Majesty’s enemies bring against me.”

3

  “An English gentleman,” says Mr. Edgeworth, in a story cited from Joe Miller, “was writing a letter in a coffeehouse; and perceiving that an Irishman stationed behind him was taking that liberty which Parmenio used with his friend Alexander, instead of putting his seal upon the lips of the curious impertinent, the English gentleman thought proper to reprove the Hibernian, if not with delicacy, at least with poetical justice. He concluded writing his letter in these words: ‘I would say more, but a damned tall Irishman is reading over my shoulder every word I write.’

4

  “‘You lie, you scoundrel,’ said the self-convicted Hibernian.”

5

  The pleasure derived from the first of these stories proceeds from the discovery of the relation that subsists between the object he had in view, and the assent of the officer to an observation so unfriendly to that end. In the first rapid glance which the mind throws upon his words, he appears, by his acquiescence, to be pleading against himself. There seems to be no relation between what he says and what he wishes to effect by speaking.

6

  In the second story, the pleasure is directly the reverse. The lie given was apparently the readiest means of proving his innocence, and really the most effectual way of establishing his guilt. There seems for a moment to be a strong relation between the means and the object; while, in fact, no irrelation can be so complete.

7

  What connection is there between pelting stones at monkeys and gathering cocoanuts from lofty trees? Apparently none. But monkeys sit upon cocoanut trees; monkeys are imitative animals; and if you pelt a monkey with a stone, he pelts you with a cocoanut in return. This scheme of gathering cocoanuts is very witty, and would be more so, if it did not appear useful; for the idea of utility is always inimical to the idea of wit. There appears, on the contrary, to be some relation between the revenge of the Irish rebels against a banker, and the means which they took to gratify it, by burning all his notes wherever they found them; whereas they could not have rendered him a more essential service. In both these cases of bulls, the one verbal, the other practical, there is an apparent congruity and real incongruity of ideas. In both the cases of wit, there is an apparent incongruity and a real relation.

8

  It is clear that a bull cannot depend upon mere incongruity alone; for if a man were to say that he would ride to London upon a cocked hat, or that he would cut his throat with a pound of pickled salmon, this, though completely incongruous, would not be to make bulls, but to talk nonsense. The stronger the apparent connection, and the more complete the real disconnection of the ideas, the greater the surprise and the better the bull. The less apparent, and the more complete the relations established by wit, the higher gratification does it afford. A great deal of the pleasure experienced from bulls proceeds from the sense of superiority in ourselves. Bulls which we invented, or knew to be invented, might please, but in a less degree, for want of this additional zest.

9

  As there must be apparent connection, and real incongruity, it is seldom that a man of sense and education finds any form of words by which he is conscious that he might have been deceived into a bull. To conceive how the person has been deceived, he must suppose a degree of information very different from, and a species of character very heterogeneous to, his own; a process which diminishes surprise, and consequently pleasure. In the above-mentioned story of the Irishman overlooking the man writing, no person of ordinary sagacity can suppose himself betrayed into such a mistake; but he can easily represent to himself a kind of character that might have been so betrayed. There are some bulls so extremely fallacious, that any man may imagine himself to have been betrayed into them; but these are rare: and, in general, it is a poor, contemptible species of amusement; a delight in which evinces a very bad taste in wit.

10

  Whether the Irish make more bulls than their neighbors, is, as we have before remarked, not a point of much importance; but it is of considerable importance, that the character of a nation should not be degraded; and Mr. Edgeworth has great merit in his very benevolent intention of doing justice to the excellent qualities of the Irish. It is not possible to read his book, without feeling a strong and a new disposition in their favor. Whether the imitation of the Irish manner be accurate in his little stories we cannot determine; but we feel the same confidence in the accuracy of the imitation that is often felt in the resemblance of a portrait, of which we have never seen the original. It is no very high compliment to Mr. Edgeworth’s creative powers to say he could not have formed anything which was not real, so like reality; but such a remark only robs Peter to pay Paul, and gives everything to his powers of observation, which it takes from those of his imagination. In truth, nothing can be better than his imitation of the Irish manner: It is first-rate painting.

11

  Edgeworth and Co. have another faculty in great perfection. They are eminently masters of the pathos. The Firm drew tears from us in the stories of little Dominick, and of the Irish beggar, who killed his sweetheart: Never was any grief more natural or simple. The first, however, ends in a very foolish way;

  “——formosa superne
Desinit in piscem.”

12

  We are extremely glad that our avocations did not call us from Bath to London on the day that the Bath coach conversation took place. We except from this wish the story with which the conversation terminates; for as soon as Mr. Edgeworth enters upon a story he excels.

13

  We must confess we have been much more pleased with Mr. Edgeworth in his laughing and in his pathetic, than in his grave and reasoning, moods. He meant, perhaps, that we should; and it certainly is not very necessary that a writer should be profound on the subject of bulls. Whatever be the deficiencies of the book, they are, in our estimation, amply atoned for by its merits; by none more than that lively feeling of compassion which pervades it for the distresses of the wild, kind-hearted, blundering poor of Ireland.

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